The real life events are closer to me. That’s why this documentary effect is not accidental – it is achieved by combining a number of interconnected technical and dramatic methods. By the way, I am trying to avoid the word “narrative” – I think it has become outdated in relation to cinema. This term is not a genre and not a category – it’s from an area of philosophical categories. I do prefer to juxtapose the narrative and documentary cinema. You were quite correct in noting the dissolving effect. This is what the concept consists of: the relativity of the divide between life and its artistic comprehension.
Sharunas Bartas in conversation with Xenia Drugoveyko
jueves, 29 de julio de 2010
Agreement with reality
Something I've noticed from making picture to picture is I have increasingly more confidence with what reality can give me and how I can come in agreement with this reality to create my discourse.
Jose Luis Guerin speaking about Los motivos de Berta.
Jose Luis Guerin speaking about Los motivos de Berta.
Suscribirse a:
Entradas (Atom)